Back to the table

En lo de Lenny

A creative space for women in Mendoza. I designed all of it, from the name to the sign-up form to every plan.

Project
My own, in Mendoza
Role
Founder, designer, and host
Since
October 2026
Scope
Name and brand, Instagram, invitations, sign-up and research forms, the format of each plan
Partners
Lucila Quevedo Cerámica, The Wine Plan, Casa Minerva, Pana Floristería, Azu Campi
Oct 2026
sold out
En lo de Lenny, laid out on a slant: the set table, the En ronda brunch invitation, two Instagram posts and two table photos.

When I moved to Mendoza, it took me a long time to come out of my shell. So I opened my door.

Designed like a product. The name, the brand, the Instagram, the invitations, the sign-up form, and every plan. Every piece answers the same question: how does a woman who knows nobody decide to come?

Made for someone coming alone. The form asks if you’re coming alone. Each plan starts with doing something creative, so your hands are busy before you have to talk.

It sold out, then it grew. The first night, on October 17, filled all 12 seats. In November there were five dates with four partners.

Invitation to the second En ronda, a brunch on Sunday, November 29: an envelope that reads otra vuelta en ronda.
En ronda
Invitation to a floral vermouth afternoon on November 14, shaped like an envelope.
Floral vermouth
Invitation to the Sunday reading club, shaped like an envelope.
Reading club

“There’s magic in sitting at a table to share food and make something.”

01Why I started it

When I moved to Mendoza, it took me a long time to come out of my shell. I wanted a place where women could meet in person, not through a screen, and where someone who feels alone has a seat waiting.

The hard part is obvious, and I said it out loud on Instagram: it’s strange to go to the house of someone you don’t know. Everything I designed works on that one moment.

02Asking first

Before planning the next tables, I asked. I sent a short form with four questions and read every answer. Here is what they told me, in their own words, translated from Spanish.

Two answers stayed with me. Nobody said she needed a friend to come. And when I asked what would bring them back, one of them wrote “home.”

What would you like to do at a table like this?

A movie night with food, ceramics, surprise me

Stretching and/or yoga classes 🧘‍♀️

Some trip out into nature! Like a picnic 💛

I loved every idea 🙌🏻

What would you like to talk about with women you don't know?

Hormonal nutrition and mindful movement through a woman's different stages

I like to talk about everything, about life in general.

Realizing we're all facing some personal challenge makes us feel less alone.

A bit of everything, it's a lovely chance to meet like-minded people ✨

What does a space for women need for you to come back?

Joy, humor, calm, home

For me the main thing is good energy, wanting to talk and share ourselves.

A good vibe, good energy

Would you come alone or with someone?

Either way

Either way

Alone

03Name and invitations

En lo de Lenny means “at Lenny’s place.” Each date gets an invitation shaped like an envelope, in its own colors, so the Instagram reads like a pile of letters on a table.

The top of the Instagram grid: the November calendar, a post asking if you'd go to a stranger's house, the floral vermouth invitation, and a collage post.
@enlodelenny 

05The format: En ronda

En ronda is the first format: ceramics, snacks, and conversation. My friend Lu leads the clay, and I host everything else. Clay has to dry, so the night is designed around it: each guest shapes a piece, Lu finishes it, and guests pick it up two weeks later. The pickup keeps the night going after it ends.

06Test night

Before launch, I ran an En ronda with friends and changed three things. The ceramics got shorter, because people wanted more time to talk. The table got bigger, so everyone had room to make a mess. And I cut the conversation card game I’d planned, because they connected on their own.

People don’t need the whole night structured. They need the right space and enough time.

07The first night

On Saturday, October 17, twelve women sat at my table. Almost none of them knew each other. Every seat was sold.

The table set before the guests arrive: flowers, clay plates and candles.
The first night: women around the long table, with flowers and clay plates.

08What guests said

“Being in a home makes it more intimate and takes away the pressure of a public space.”

“Doing something creative while you talk gets you past the shyness.”

“There’s magic in sitting at a table to share food and make something.”

09What came next

The answers turned into a calendar. In November 2026 there were five plans, each one with a partner from Mendoza.

Some of the women from the first night wanted to be part of it too. Azu came as a guest; now she’s a collaborator, and the sashiko night is with her.

  • 8 · 22nov

    Club de lectura edición verano

    reading club with Casa Minerva

  • 14nov

    Vermuteo floral

    flowers, vermouth and conversation, with Pana Floristería

  • 20nov

    Noche sashiko

    sew, snack and talk, with Azu Campi

  • 27nov

    Watch party Si tuviera 30

    a movie night at my place

  • 29nov

    En ronda edición brunch

    ceramics and brunch with Lu

10What I’d change

I’d sit at the table longer. Hosting meant I spent most of the first night on my feet, and the best part was happening in the chairs.

It’s the same thing I want to do on a consumer product team: design the moment someone walks in, and then make room for them to stay.

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